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王琦·达摩渡江瓷板画·精品推荐(瓷板画大师王琦简介)

放大字体  缩小字体 发布日期:2022-07-22 22:56:52    作者:life    浏览次数:3964    评论:0
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王琦(1884—1937),号碧珍,别号陶迷道人,室名陶陶斋。祖籍安徽,生于江西新建。中国陶瓷美术大师,民国时期景德镇瓷绘名家。 Wang Qi (1884,1937) , no. Bizhen, also known as Tao Mi

王琦(1884—1937),号碧珍,别号陶迷道人,室名陶陶斋。祖籍安徽,生于江西新建。中国陶瓷美术大师,民国时期景德镇瓷绘名家。

Wang Qi (1884,1937) , no. Bizhen, also known as Tao Mi Dao ren, room name Tao Zhai. Originally from Anhui, born in Xinjian, Jiangxi Province. Master of Fine Arts in Chinese ceramics, master of painting in Jingdezhen During the Republic of China.

画中达摩前额宽大,鬓须卷曲,双眉紧锁,目光坚毅,赤脚在地,似在凝思渡江之举。人物头面用西画明暗画法,蟾蜍写实生动,表情真实自然、神完气足,令人回味无穷;衣纹等却多以写意之法为之,笔法稚拙、简单流畅,但潇洒自如,墨气袭人,尽显王琦高超的绘画造诣,以及狂放崎岖、典雅飘逸的画风。

Daruma is shown with a broad forehead, curled sideburns, furrowed brows, steely eyes, and bare feet, as if contemplating a crossing. The head and face of the figure are painted in Western light and dark, the toad is realistic and vivid, the expression is true and natural, the expression is full of vitality, and the aftertaste is endless; however, the clothes and lines are often painted in freehand style, the brushwork is childish and clumsy, simple and smooth, but the ink is natural and natural, wang Qi’s superb painting attainments, as well as wild rugged, elegant and elegant style of painting.

 
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